Hunger Games Soundtrack Download

The Hunger Games is really a 2012 National science fiction actions picture directed by simply Gary the gadget guy Ross, using the book of the same label by simply Suzanne Collins. The actual picture ended up being that is generated by Nina Jacobson as well as Jon Kilik, by using a script by simply Ross, Collins, as well as Billy Ray. That superstars Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woodsy Harrelson, Electronic Banks, as well as Jesse Sutherland. The storyline happens inside of a dystopian post-apocalyptic upcoming from the land involving Panem, which consists of the rich area, referred to as Capitol, surrounded by Twelve a smaller amount wealthy zones. Since abuse for just a beyond rise up up against the administration, the Capitol caused the Hunger Games-a public once-a-year affair during which one particular boy and one lady via every single Twelve zones tend to be chosen inside of a sweepstakes while "tributes" and they are required to fight to the passing inside an market until eventually there is certainly one particular remaining victor. Once the central figure Katniss Everdeen (Lawrence) learns the woman youthful sister's label called as the female honor with regards to centre, the girl volunteers to use the woman placed in order just to save the woman via being forced to engage. Joined by the woman district's men's honor Peeta Mellark (Hutcherson), Katniss trips for the Capitol to coach intended for the Hunger Games beneath the direction involving former victor Haymitch Abernathy (Harrelson). The actual picture was already released on Walk 21 years of age, 2012, with Portugal along with locations as well as around the world on Walk 3, 2012, in regular theaters as well as digital camera IMAX theaters. Before put out, the picture established the record with the third very best cracking open weekend break container business office sales of any video ($152.5 various , 000, 000) with The usa powering Harry Potter as well as the Deathly Hallows : Part Two ($169 , 000, 000) and also the Dimly lit Knight ($158 , 000, 000) the most important container business office debut for just a non-sequel. This is the very first picture considering that Character to on the first page on the container business office intended for some sequential days off. The Hunger Games ended up being praised by simply nearly all naysayers, whom recognized its designs as well as announcements, in addition to Lawrence's overall performance while Katniss. Such as the book, the picture possesses captivated grievance for its commonalities for some other performs, such as the Japoneses book War Royale as well as picture adaptation, along with the National limited report "The Lottery". It is actually documented, having said that, in which Collins' book as well as script own major disparities by simply making use of sources of encouragement such as the belief involving Theseus, Roman gladiatorial games, simple fact television set, as well as the Irak Showdown. The Hunger Games Online Free may be the main topic of various interpretations, like allusions for you to feminist, politics, as well as non secular allegory. The world involving Panem, produced at a post-apocalyptic The usa, has a rich Capitol as well as a dozen poorer encircling zones. As a abuse for just a former rise up up against the Capitol with the zones, one particular boy and one lady between Twelve as well as 16 via each and every centre tend to be chosen by simply a yearly sweepstakes (called the "Reaping") to sign up with the Hunger Games. The actual contributors (or even "tributes") involving the Hunger Games have to combat inside an market governed with the Capitol until eventually just one is still well; the victor is definitely treated along with popularity as well as money. Katniss Everdeen, the 16-year-old lady via Region Twelve, volunteers with the 74th once-a-year Hunger Games, to consider host to the woman youthful sister Primrose, who had previously been chosen with the sweepstakes. Peeta Mellark, the baker's youngster whom once gave Katniss breads as soon as the woman spouse and children ended up being hungry, is also chosen. Katniss as well as Peeta tend to be taken up the Capitol, in which the drunk coach, former Games victor Haymitch Abernathy, instructs the theifs to observe as well as educate yourself on the skillsets on the alternative tributes, particularly the "Careers", who are qualified via labor and birth for you to contend from the Games. Within a pre-Games meet with along with Tv set individuality Caesar Flickerman, Peeta all of the sudden unveils the romance intended for Katniss. Jane is to begin with annoyed, knowing that it is tactic to gain crowd service, while "sponsors" might supply in-Games gift items involving foodstuff, remedies, as well as gear. The actual Games start out with half of the tributes slaughtered within the very first day time, whilst Katniss depends on the woman well-practiced hunting as well as outside knowledge to thrive. Peeta forms the anxious alliance with all the Employment, like Cato, Clove, Amazing, as well as Glimmer, is actually the keeping track of support many people corner Katniss from the timber. Katniss advances the alliance along with Region 10 honor Feel dissapointed about when the young child suggests the unit jacker colony, that Katniss drops within the Employment, killing Glimmer. Feel dissapointed about cares for you intended for Katniss while the girl gets back via unit jacker accumulation, though the alliance finishes as soon as Feel dissapointed about is definitely fatally hurt by simply Amazing, exactly who Katniss destroys within their safety. Katniss continues along with Feel dissapointed about while the girl drops dead, and then propagates blooms through the woman physique for a manifestation of admiration. If this is definitely public, it sets off the riot with Region 10. Along with Katniss as well as Peeta offered to the general public while "star-crossed lovers" : as well as the Gamemakers looking to avoid inciting additionally riots : a rule alter is definitely introduced midway from the Games, praoclaiming that two tributes on the exact same centre could earn the Games for a match. After listening to this particular, Katniss looks for Peeta as well as locates him, hurt by simply Cato by using a blade. Since Katniss nursing staff Peeta to wellness, the girl offers himself while excited about him to gain crowd favour as well as sponsorship. When the girl tries to get back remedies intended for Peeta, Clove assaults the woman. Thresh would seem as well as destroys Clove, sparing Katniss with memory space involving Feel dissapointed about. "Foxface" drops dead via feeding on nightlock berries stolen via Peeta, whom would never know these were extremely noxious. A wrap up involving vicious hound-like animals are freed, killing Thresh as well as making Katniss as well as Peeta for the Cornucopia, in which many people confront Cato. After a tough combat, Katniss limbs Cato having an arrow just to save Peeta's existence. Cato drops for the animals, as well as Katniss limbs him for you to extra him an extended passing. Along with Peeta as well as Katniss evidently successful in concert, the Gamemakers all of the sudden turn back the concept alter enabling two victors, setting these as much as the multiple 1 another for the passing. Instead, Katniss uses a cache involving nightlock berries as well as palms fifty percent for you to Peeta. Understanding that the committing suicide would likely deprive the general public of any victor, the Gamemakers hastily say them both while victors on the 74th Hunger Games. Whilst they tend to be dealt with to your hero's pleasant from the Capitol, Katniss is definitely cautioned by simply Haymitch she has become a politics opposing forces right after a really public defiance involving the woman society's authoritarian commanders. Since Katniss as well as Peeta resume Region Twelve, Lead designer Ideal ponders what to do about the mutual victors as well as the thoughts involving rise up that they can get empowered.

Steve McPherson takes stand at Sheridan trial

Former ABC Entertainment chief Steve McPherson corroborated Marc Cherry's assertion that the decision to kill off Nicollette Sheridan's "Desperate Housewives" character was made months before the on-set incident at the heart of the actress' wrongful termination suit. McPherson, who has stayed out of the showbiz spotlight since exiting the Alphabet in mid-2010, testified on Friday that Cherry sought his approval to write Sheridan's Edie Britt out of the show during a May 2008 meeting that also included "Housewives' " head writer Bob Daily and then-Touchstone TV prexy Mark Pedowitz. McPherson said the ultimate decision was kept confidential by design when pressed by Cherry's attorney on why there was no paper trail about the move. "We wanted to keep it confidential. We would do that for any character on any show," McPherson said during testimony in Los Angeles Superior Court. Even though he helped spur an investigation, "Housewives" exec producer George Perkins testified earlier in the day that he wasn't entirely convinced of Nicollette Sheridan's claim that show creator Marc Cherry hit her while on the set of the show in September 2008. "I know that Nicollette is emotional at times," Perkins told the jury. Attorneys for Cherry questioned Perkins about an email he sent shortly after the encounter, in which the exec referred to the interaction as a "minor incident." The question of whether or not Cherry assaulted Sheridan is central to the thesp's case that she was wrongfully terminated from the ABC series. Cherry has maintained that he only "tapped" Sheridan as he provided guidance for a scene. Sheridan's suit contends that she was fired from the show in retaliation after she complained about the encounter. Perkins said on the stand Friday that he advised Cherry to apologize to Sheridan, even suggesting that the producer send flowers to the actress. Attorneys for Cherry asked Perkins about the actress' professional conduct, including inquiries about how often Sheridan showed up late for work or did not know her lines. Perkins responded that while he was not always on set by season five, the actress' final season, he recalled that Sheridan was late about half the time during the show's run. Perkins also testified that the actress told him that she felt her call time was "too early," but said that she was not the only tardy thesp on set. Attorneys for both sides also addressed Friday the issue of Touchstone's mandated budget cuts for "Housewives." According to Perkins, by the end of season four the company had instructed producers to reduce the show's budget by 2%. According to emails entered into evidence, Sheridan earned $175,000 per episode by the end of season five and was expecting to earn $200,000 per episode the following season. "We were constantly under pressure to bring the budget down," Perkins testified, explaining that network execs expected to save more than $100,000 by getting rid of Sheridan's character. Perkins said producers allocated $60,000 per episode for a replacement thesp. Touchstone human resources staffer Lynne Volk also took the stand during Friday's proceedings, testifying that she questioned witnesses during an investigation into the confrontation. But when attorneys for Sheridan pressed Volk about whether she questioned the actress herself, Volk said she had not. She said she considered the situation "minor and resolved." Contact Rachel Abrams at Rachel.Abrams@variety.com

Report: Britney Warrior spears Near Deal being X Factor Judge

She went to her roots - her red-colored roots. Lindsay Lohan's Saturday Evening Live scores second greatest rankings of year The 25-year-old walked in Beverly Hillsides on Thursday with lengthy auburn locks. After going blonde within the last many years, Lohan first grew to become famous like a redhead in her own earlier films Parents Trap and Mean Women. Find Out More > Other Links From TVGuide.com Saturday Evening LiveThe Parent TrapMean GirlsLindsay LohanMatt Lauer

Anthony Anderson To Star In Jimmy Fallons NBC Pilot, Kevin Williamsons Drama Pilot Adds Mexican Actor

EXCLUSIVE: Anthony Anderson remains attracted on one of the leads in NBCs Jimmy Fallon comedy project also called DILFs. The multicamera comedy, put together by Charlie Grandy, concentrates on three 30-something males enjoy the adventures of being a parent despite the fact that they havent developed themselves. Anderson, repped by UTA and Principato-Youthful, may have one of the trio, a regrettable-sack comic collector-switched-stay-at-home father of 4 kids, including two 6-month-old twin women. He and also the wife are broke and so are totally overcome by all the kids, but they're still greatly deeply deeply in love with each other. This is often a return to comedy for actor-comedian Anderson carrying out a streak of drama series roles, beginning along with his large arc round the Shield. He ongoing to co-star round the final season in the mothership Law & Order series and recently recurred on Cinemax’s Treme. Youthful Mexican actor Adan Canto remains cast just like a series regular in Fox’s untitled Kevin Williamson drama pilot. The project, from Warner Bros TV, can be a thriller about ex-FBI agent Ryan Sturdy (Kevin Sausage) who leads the search capture diabolical killer Joe Carroll (James Purefoy) which has created a cult of serial killings. Canto may have Billy, a encouraging friend who helps to keep Sarah, who's Carrolls last intended victim, safe. Canto’s casting originates from talent deals Fox signed within the month of the month of january with him and Mexican actress Martha Higareda incorporated within the network’s initiative to discover inexperienced Latin American talent. Canto, repped by APA and manager Aida Berna, is certainly an up-and-comer in Mexico and not used to Hollywood this can be his first U.S. gig.

Sony Pictures Television Expands In U.K. With Silver River Acquisition

Just ahead of next month’s MIP TV market, Sony Pictures Television has added to its international production and distribution business by taking a majority stake in UK indie producer Silver River. Silver River works across a wide range of genres with programs on such UK channels as BBC1, ITV1 and Channel 4. Its current slate includes documentary Elizabeth Taylor Queen Of Diamonds which explores the late legend’s life through jewelry and fashion. SPT’s distribution arm, which will now rep Silver River programs and formats internationally, will launch Elizabeth Taylor and other titles including anti-cosmetic surgery show Say No To The Knife at MIP in April. Silver Rivers Daisy Goodwin will continue as president of the London-based company and now reports to SPTs president of international production Andrea Wong. The addition of Silver River marks SPTs 3rd UK production venture alongside Gogglebox Entertainment and Victory Television. In other Sony news, SPT Networks has announced the launch of a dedicated film channel for the UK. The Sony Movie Channel will debut in the spring with contemporary library features and TV movies from Sony Pictures as well as other studios and indie distributors. The channel will be carried on pay-TV Skys basic package.

The CW Casts AnnaSophia Robb as Youthful Barbara Bradshaw

The CW has cast its youthful Barbara Bradshaw.AnnaSophia Robb, most broadly noted for taking pleasure in Crimson inside the 2005 Tim Burton feature "Charlie as well as the Chocolate Factory," will star inside the network's pilot "The Barbara Journals," "The Hollywood Reporter" knows. The project can be a prequel to HBO's "Sex as well as the City."Using the novel by Candace Bushnell, "Barbara Journals" involves a young Barbara Bradshaw as she comes old inside the eighties, asking her first queries about love, sex, friendship and family while choosing the cell phone industry's of secondary school and Manhattan.Fake Empire'sJosh Schwartz, Stephanie Savage and Len Goldstein ("Gossip Girl," "Hart of Dixie") will executive produce alongside Warner Bros. Television. Former "Sex as well as the City" scribe/co-producer Amy B. Harris will adapt it and performance showrunner. Miguel Arteta will direct the pilot.The initial book in Bushnell's origin story was launched a year ago and, like "Sex as well as the City," is told from Carrie's perspective. It makes sense the ambitious author through her relationship with Sebastian Kydd and competition with popular girl Donna LaDonna.Cinemax has the rights to "Sex as well as the City," with corporate cousin the CW hearing the help September and immediately undertaking for the project. Robb's reps hope this project will have the identical impact on her career as "SATC" which went from 1998-2004 on Cinemax and spurred some movies did for Sarah Jessica Parker's.The youthful actress joins the formerly cast Stefania Owen ("Running Wilde"), who'll play Carrie's 14-year-old sister inside the project.Furthermore to "Charlie as well as the Chocolate Factory," Robb's credits include features "Because of Winn-Dixie," "Bridge to Terabithia" additionally to "Jumper." The 18-year-old actress is repped by CAA, Untitled Entertainment and Schreck Rose. The Hollywood Reporter

Heavy players get slack as galleries evolve

Before Ryan Kavanaugh setup shop in Hollywood about ten years ago, film financing would be a mostly anonymous affair. There is nothing notable about funds named Gun Hill, Beverly or Melrose, apart from the Hollywood roads the second two are named after and loan companies like JPMorgan Chase, Merrill Lynch and Bank of America were faceless banking institutions. With Kavanaugh, there is now a colorful personality connected to the pursestrings of numerous photos playing in the megaplex.Nowadays, Kavanaugh is hardly the only real deep-pocketed moneyman in this area. A brand new crop of traders boasting their very own wealthy accounts has lately gone from Hollywood outsiders up of executives' call sheets.Their elevated participation within the film biz may come as the media congloms require more profits using their studio divisions, frightening off executives from greenlighting films unless of course they are able to spawn sequels or perhaps an eventual reboot, generate piles of items then sell countless theme-park tickets."In the finish during the day, Hollywood is about earning money,Inch states one major studio boss. "That sounds cynical, but it is true. My hands are tied needing to develop large franchises. I can not ensure movies any longer, regardless of how lucrative they may become. I make movies that become toys." As the majors devote their focus on tentpoles, they still need additional movies to fill their distribution pipelines. And that is where Hollywood's new bankrollers are available in.Last year, David and Megan Ellison, the offspring of Oracle's billionaire chief Ray Ellison, were unknowns before pairing track of Vital to create tentpoles like "Mission: Impossible -- Ghost Protocol" and-profile indies like "True Grit." So were 5 Thompson siblings, a Louisiana oil-and-gas family whose Mix Creek banner struck it wealthy with "Black Swan." Tim Headington ("Hugo," "Rango") is really a Texas oil and property baron who co-founded FilmDistrict with Graham King (with whom he funded GK Films). "Warrior" producers Jordan Schur and David Mimran made their millions running record labels along with a Monaco-based food processing firm. And Richard Branson would be a high flyer, not really a filmmaker, until starting the Virgin Created banner.Before them, Reliance Group's Amit Khanna would be a player in Bollywood just before backing DreamWorks with $325 million. Shaun Skoll (Participant), Fred Cruz (Alcon), Sidney Kimmel (SKE), Bill Pohlad (River Road) and Philip Anschutz (Walden) gained their wealth from eBay, Federal Express, apparel brands like Nine West and Anne Klein, the Minnesota Twins baseball team and L.A. property, correspondingly.And Thomas Tull, part who owns the Gambling, would be a wealthy fanboy having a soft place for comicbooks, toys and videogames before developing Legendary Entertainment and co-financing Warner Bros.' bigger tentpoles. Previously, outdoors bankers were lumped under one disparaging label: "dumb money." When one well was drawn on dry by galleries, another will come along. The cycle is arrived once more. Only this time around, Hollywood's new moneymen are savvier and becoming more active in the creative process. Bankers aren't just writing inspections in return for premiere tickets, they are positively helping develop and convey the flicks by which they invest.Pohlad has stated he's "drawn to the (film) business due to filmmaking" and never just how much gold coin he is able to collect from the pic's success. Younger crowd "wants creative participation." And David Ellison states he never wants Skydance to become seen as "only a chequebook."These beginners are also signing onto support films they really need to see.Provided Tull's fanboy interests, it's really no surprise that Legendary has built itself like a key banner behind the Batman and Superman actioners the large robots-versus.-monster epic "Off-shore Rim" fantasy tales "Seventh Boy," "Paradise Lost" and "Jack the large Killer" a reboot of "Godzilla" and adaptations of videogames "WowInch and "Mass Effect." Anschutz's Walden ("The Stories of Narnia") has centered on family fare with messages that align using the mogul's religious and conservative values, while Skoll's Participant makes movies with sociopolitical styles like education and health care that jive together with his philanthropic causes. The options from the Ellison brothers and sisters also reflect their tastes: David's Skydance gravitates toward actioners such as the 4th "Mission: Impossible," the "G.I. Joe" follow up, a reboot from the Jack Ryan series, zombie pic "World War Z," the Tom Cruise vehicle "One Shot," along with a disaster epic from scribes Zack Stentz and Ashley Burns ("X-Males: Top ClassInch and "Thor"), who're also dealing with a reboot of "Top Gun," which Skydance is creating with Jerry Bruckheimer. Megan Ellison's Annapurna Pictures is just about the darling of indie filmmakers such as the Coen siblings ("True Grit"), Doug Wick ("Wettest County," bought through the Weinstein Co. at Cannes), and Spike Jonze, Kathryn Bigelow, Andrew Dominik ("Cogan's Trade"), Gore Verbinski ("Bitterroot") and Paul Thomas Anderson, although her buy-from the "Terminator" privileges signals much more of a proceed to tentpole territory. It is a busy group.Tull's Legendary released having a $500 million fund in 2004, and elevated a line of credit of approximately $700 million this past year, which makes it a significant pic producer through 2016, despite its seven-year pact to co-finance and convey films with Warner Bros. finishes in 2013. It established itself by lounging claim that they can genre fare, with co-productions including WB's Superman and Batman films, the "Hangover" comedies, "300," "Watchmen," "Clash from the Leaders" and "Beginning." Tull also offers released Legendary East, a Chinese studio established to self-finance photos for the reason that country via a $220.5 million fund (and the other $225 million credit facility), with Erectile dysfunction Zwick's "The Truly Amazing Wall" since it's first project. David Ellison's Skydance runs a $350 million fund to co-finance films with Vital, using the shingle getting first consider the studio's projects via a four-year deal, a unique pact for just about any first-time financier. Megan Ellison has yet to reveal simply how much money she's dealing with, but her company ponied up $20 million to land privileges towards the "Terminator" franchise. Timmy, Tommy, Todd, Tyler and Bobby Thompson bought their distance to Hollywood with $40 million through their Mix Creek Pictures banner, run by John Oliver (former topper at Arthaus Pictures along with a Propaganda Films professional), and located a gusher in the B.O. with "Black Swan," a $13 million pic that danced its method to $329 million worldwide. The organization has since tempted backers to boost another $260 million. Randall Emmett and George Furla's Emmett/Furla Films teamed with Stepan Martirosyan and Remington William Chase's Picture Entertainment in September to determine a $250 million equity and debt fund, with initial dollars arriving part in the Russian oil biz and property endeavors. Media Privileges Capital's Modi Wiczyk and Asif Satchu closed a five-year, $350 million turning credit facility with five banks, also in September, to exchange an identical three-year fund guaranteed in 2008. India's Reliance Large Entertainment backed 1 / 2 of DreamWorks in '09, for $325 million, basically giving the organization another existence. It is also ponied up development gold coin for projects produced by shingles run by Tom Hanks, Kaira Pitt, Nicolas Cage, George Clooney, Jim Carrey, Jay Roach, Chris Columbus and Brett Ratner. Last summer time, former CBS and The new sony professional Shaun Sagansky released Hemisphere Tentpole Co-Financing Fund with Jean-Luc P Fanti and Eli Baker (also behind Winchester Capital Partners) to back 12 to 16 studio photos it thinks will have well in growing foreign moviegoing marketplaces. The very first $200 million went into Sony's "The Smurfs" and "Males in Black III," Paramount's "The Adventures of Tintin: The Key from the Unicorn" and "World War Z." And flying high with funds from his Virgin-top quality air carriers, Branson released Virgin Created in This summer 2010, via a pair-track of Kavanaugh's Relativity. Run by former J2TV/J2 Pictures producers Jason Felts and Justin Berfield, the shingle arrived a success with "Unlimited," a $27 million pic that starred Bradley Cooper and it has obtained $162 million worldwide. Additionally, it backed "Immortals," a co-production with Relativity, that's now its greatest hit. Relativity rapidly merged with Virgin following the shingle provided to provide some valuable marketing muscle by tubthumping films across Branson's air carriers, including Virgin America and Virgin Atlantic, and mobile phones, through Virgin Mobile.These new producers are keeping midrange-allocated photos afloat -- new things Regency (the "Alvin and also the Chipmunks" franchise, "Over Time,Inch "What's Your Number?") has lengthy done at Fox. (The banner closed a $500 million line of credit in September to finance more photos.)Similarly, Emmett/Furla Films is anticipated to create nine photos this season through its new fund which will benefit galleries and small-majors. The organization lately funded Stephen Frears' comedy "Lay the favourite,Inch with Bruce Willis, Rebecca Hall and Catherine Zeta-Johnson and Lionsgate-Summit's approaching "The Tomb," with Sylvester Stallone and Arnold Schwarzenegger. .And, after specialty labels Warner Independent, Fox Atomic and Componen Vantage shuttered, the likes of Norm Waitt's Gold Circle Films ("Existence as you may know It"), Bill Pohlad's River Road ("Tree of Existence," "Brokeback Mountain"), James Stern's Endgame Entertainment ("InstructionInch) and Steven Rales' Indian Paintbrush ("ConstantlyInch) breathe new existence in to the indie biz with game titles which are recognized by experts but they are not going to result in figures or videogames.As Pitt lately told Variety, "You will find a couple of quite strong independent bankers that care more about content than profit. These men like Bill Pohlad, who did "Tree of Existence," and Tim Headington and Megan Ellison are extremely vital that you what we should do within the structure we're in at this time. (Without one), harder-sell risk-taking films may not reach the screen."Even Lionsgate is searching for partners, joining track of "Warrior" producers Schur and Mimran, whose credits range from the Edward Norton-Robert P Niro mental thriller "Stone" and also the Malcolm Venville-directed "Henry's Crime," with Keanu Reeves, to co-finance a yet-to-be revealed slate of films.Universal, especially, is depending on outdoors partners for photos. MRC (Seth MacFarlane's "Ted," "The Adjustment Bureau," "Bruno") includes a five-year distribution cope with U. And also the studio lately inked a 3-year deal to produce a minimum of six films from Mix Creek, the very first being F1 racing biopic "Hurry," steered by Ron Howard. CBS Films launched Mix Creek's Daniel Radcliffe starrer "The Lady in Black." Mix Creek is centered on films with budgets that fall within the $15 million-$sixty five million range, by having an average price of $25 million to $35 million. Its Clooney pic "The Ides of March" were built with a $23 million budget. The film has since lobbied $34 million in the domestic B.O. In development in the shingle are Todd Field's "The Creed of Violence" "Black Mass," a Boston Irish mob tale about James "Whitey" Bulger along with a biopic of actor Steve McQueen that Jeremy Renner is circling.Should there be something that ties these moneymen (and ladies) together, it's that they have handled to largely avoid the spotlight. Actually, most steer clear of the Hollywood party scene, attending premieres for his or her own photos only. They provide couple of interviews. Except for Legendary, the shingles are small procedures, needing little overhead (Megan Ellison's Annapurna is basically the 25-year-old and her lawyer).Some are searching to enhance their presence, however.Tull is making moves to show Legendary right into a full-fledged studio, self-financing more films within the U.S., instead of as co-productions with Warners, and abroad through his Hong Kong-based Legendary East, the entity which will produce British-language tentpoles created for Chinese auds. WB will distribute individuals films.Legendary already has effectively be a brand one of the Comic-Disadvantage crowd, using the company's panel only at that year's confab for photos which had yet to begin production bringing in a lot more than 2,000.Even though there's been some internal friction between Legendary and WB over credit, along with a receding between Relativity and U (especially over their dueling Snow Whitened films), most studio chiefs aren't objecting towards the inroads produced by this crop of Hollywood beginners. Actually, some are outright envious."Other men, they have got the liberty to create anything they want," the main studio mind told Variety. "They are able to go ahead and take risks we (galleries) can't any longer."Go back to Movies & Money >> Contact Marc Graser at marc.graser@variety.com

Exclusive Video: Sons of Anarchy's Tommy Flanagan Wrestles with Fin on SVU

Tommy Flanagan As Sons of Anarchy's Sargeant-at-Arms Filip "Chibs" Telford, Tommy Flanagan may be used to finding themselves round the wrong side in the law as you're watching camera. But his latest role, Flanagan will need to reaction to NYPD Fin (Ice-T) and Amaro (Danny Pino). On Wednesday's episode of Law & Order: Special Sufferers Unit (10/9c, NBC), Flanagan plays Murphy, a sadistic Irish loan shark. "He ain't most likely probably the most enjoyable fellow," Flanagan states, "and apparently he likes to hurt people when they don't pay his money-back.Inch Have a look at photos of Law & Order: Special Sufferers Unit Go behind the curtain of Flanagan's appearance and search for the initial crook inside the captain's office:

Lilienfield, Meshel, and Nayor Casting CW Drama Aircraft pilots

Lilienfield, Meshel, and Nayor Casting CW Drama Aircraft pilots By Daniel Lehman Feb 13, 2012 Nancy Nayor Casting company directors happen to be hired for 2 more drama aircraft pilots for that CW, Back Stage confirmed. Production dates for aircraft pilots are TBA.Tracy Lilienfield and Shaun Meshel are casting the CW drama pilot "Joey Dakota," an intimate sci-fi musical in regards to a time-traveling documentary filmmaker who must try to save her rock star boyfriend from an untimely dying. In line with the effective Israeli half-hour series "Danny Hollywood," the pilot is compiled by Bert Royal ("Easy A"). Royal can also be executive creating with Mark Harmon, Eric and Kim Tannenbaum, and Martha Haight for CBS TV Galleries. Lilienfield and Meshel have just created a brand new casting partnership, and "Dakota" is going to be among the first projects for their new office. Lilienfield's casting credits range from the CBS comedies "$#*! My Father States" and "The Brand New Adventures of Old Christine," the The best spinner's comedy "My Boys," and NBC's "Will & Sophistication." Meshel cast the television series "Existence Unpredicted" and "The Cleanser,Inch in accessory for many television movies.Nancy Nayor will cast "Shelter," an hour or so-lengthy drama pilot set in a historic Colonial summer time resort, in which the staff must deal with their visitors while moving relationships, rivalries, and romances that belongs to them. "Shelter" is compiled by "One Tree Hill" creator and showrunner Mark Schwahn, who's executive creating together with J.J. Abrams and Bryan Burk of Bad Robot.Nayor started her casting career Off-Broadway at Manhattan Theater Club in NY, after which gone to live in La, where she labored as senior v . p . of feature film casting for Universal Galleries. In 1997, she opened up her very own casting company, where she casts advertisements, TV aircraft pilots, and movies for example "Scream 4," "Drive Angry," "The Entire Nine Yards," and "Journey." Lilienfield, Meshel, and Nayor Casting CW Drama Aircraft pilots By Daniel Lehman Feb 13, 2012 Nancy Nayor Casting company directors happen to be hired for 2 more drama aircraft pilots for that CW, Back Stage confirmed. Production dates for aircraft pilots are TBA.Tracy Lilienfield and Shaun Meshel are casting the CW drama pilot "Joey Dakota," an intimate sci-fi musical in regards to a time-traveling documentary filmmaker who must try to save her rock star boyfriend from an untimely dying. In line with the effective Israeli half-hour series "Danny Hollywood," the pilot is compiled by Bert Royal ("Easy A"). Royal can also be executive creating with Mark Harmon, Eric and Kim Tannenbaum, and Martha Haight for CBS TV Galleries.Lilienfield and Meshel have just created a brand new casting partnership, and "Dakota" is going to be among the first projects for his or her new office. Lilienfield's casting credits range from the CBS comedies "$#*! My Father States" and "The Brand New Adventures of Old Christine," the The best spinner's comedy "My Boys," and NBC's "Will & Sophistication." Meshel cast the television series "Existence Unpredicted" and "The Cleanser,Inch additionally to a lot of television movies.Nancy Nayor will cast "Shelter," an hour or so-lengthy drama pilot set in a historic Colonial summer time resort, in which the staff must deal with their visitors while moving relationships, rivalries, and romances that belongs to them. "Shelter" is compiled by "One Tree Hill" creator and showrunner Mark Schwahn, who's executive creating together with J.J. Abrams and Bryan Burk of Bad Robot.Nayor started her casting career Off-Broadway at Manhattan Theater Club in NY, after which gone to live in La, where she labored as senior v . p . of feature film casting for Universal Galleries. In 1997, she opened up her very own casting company, where she casts advertisements, TV aircraft pilots, and movies for example "Scream 4," "Drive Angry," "The Entire Nine Yards," and "Journey."

Norwegian fund produces shop in Berlin

One of the key figures behind the Norwegian South Film Fund, setup lately to purchase films from third world countries, turned up within the Berlinale Friday to tubthump for your org. The fund, known to as Sorfond, is with each other given with the Norwegian Film Institute and Oslo's Films Within the South Festival whose artistic director, Lasse Skagen, is at Berlin to speak with potential candidates and assist them to interact with Norwegian co-production partners, additionally to meeting similar funding orgs. Sorfond was launched in co-operation while using Norwegian Secretary of condition for Foreign Matters and Secretary of condition for Culture. There's an initial cat of NOK4 million ($692,000) to distribute this year, getting a high limit per project of $178,000. Each project needs to experience a Norwegian co-producer and 50% of financing in place before a charge card applicatoin could be produced. The deadline for programs is Wednesday. Skagen mentioned the concept for your fund showed up in this area from the conversation inside a dinner within the French embassy in Oslo with Haitian director Raoul Peck. He advised the Norwegians to follow along with together with the instance of other funds specific at under developed nations, like France's Fonds Sud Cinema. Skagen states the eye in gold gold coin is obvious inside the participation within the festival, which draws in films from third world countries. "We'd a pitching forum in October within the festival, combined with 260 programs, so there's likely to end up lots of fascination with this," he mentioned. The pitching forum aided put producers from third world countries together with their Norwegian options. Getting dedication within the Norwegian government to continue funding for five years, Skagen mentioned, "We are concentrating on this around the long-term basis, and then we will establish new systems and consult with different producers together with other funders." The aim of the grant is always to lead "to strengthening film just like a cultural expression, to market diversity and artistic integrity round the worldwide film scene, also to strengthening freedom of expression," according to a disagreement. It is also wanted the fund will boost links involving the Norwegian and worldwide film industries. Recommendations as well as the application can be found at internet.sorfond.com. Contact Leo Barraclough at leo.barraclough@variety.com

Janney Sits For Friday Night Dinner

Tony Shalhoub also at the tableSomewhere in the mid-Atlantic, on the deep ocean floor, there's a waste pile of comedy ideas that didn't quite make the transition from the UK and the US. The challenge of translating British comedy for American audiences is fraught with failure, with every Office countered by ten Couplings. But that doesn't stop networks from trying, and now Allison Janney and Tony Shalhoub are set for the pilot of Friday Night Dinner.The Channel 4 original has been a hit over here, featuring Tamsin Greig, Paul Ritter, Simon Bird, Tom Rosenthal and Mark Heap as the bickering Goodman family (and their creepy/weird dog-owning neighbour Jim) who spend every Friday night round the dinner table, which never quite goes to plan.Created by Robert Popper, the show was aired across the Pond on BBC America, and now NBC wants to give a US version a try, with Janney and Shalhoub taking over from Greig and Ritter as the parents. There's hope for this one, as Greg Daniels, one of the leading lights behind the network's take on The Office, is overseeing the pilot, which has Office regular director Ken Kwapis attached to direct. Daniels also has experience on the likes of The Simpsons and King Of The Hill.As of right now, it's just a pilot, but we're intrigued to see how the typically British-style humour can be converted. Thankfully, Popper is also involved, so you know it's in good hands this end. Still, we wonder if he's been in touch with Steven Moffat to hear how badly it can all end...

The Way I Spent My Summer time Vacation Poster

Mel Gibson returns... having a gun!Mel Gibson's follow-as much as The Beaver might be going right to DVDover within the U.S. underneath the new title of Obtain The Gringo, but right here in Blighty it will be striking movie theaters under its original title, The Way I Spent My Summer time Vacation.Compiled by Gibson themself, it informs the storyplot of Driver - no, not the Ryan Gosling one, this really is Mel's role - a united states criminal who pulls off a large job within the USof A before finding yourself south from the border and bumped up in jail.With the aid of a nine-year-old boy he befriends in jail, he sets about escaping . - in the looks of things, with the aid of a gun, some grenades, plus some scowly looks.Here is a poster for that film, and beneath that, a teaser trailer to provide you with a much better taste of the items just how I Spent My Summer time Vacation is.Summer time Vacation One Sheet How ISpent My Summer time Vacation has gone out on May 11.

NFL, NBC sorry for 'obscene gesture'

The NFL and NBC issued apologies late Sunday after a performer extended her middle finger on camera during the Super Bowl halftime show starring Madonna. M.I.A., a British singer who was performing alongside Madonna, flipped the bird on air just seconds after a digitized blurring occurred on screen. The performer also may have uttered an expletive on camera, according to various published reports, but it was not clearly heard during the telecast. The statements issued after the game hinted at some tension between NBC and NFL over who was more responsible for the mishap, with NBC acknowledging its screening technology didn't work fast enough--but also noting the network left the hiring of M.I.A. to the league. "The NFL hired the talent and produced the halftime show," the network said in a statement. "Our system was late to obscure the inappropriate gesture and we apologize to our viewers." An NBC spokesman explained that a system in place during the telecast attempted to blur the image but was late by two-third of a second, or 20 frames. He could not identify how many seconds of delay were in place during the broadcast. The spokesman could not confirm that there was any audible expletive from M.I.A. that was heard on camera. The NFL issued a statement of its own regretting the incident, but used a far more loaded adjective to describe the on-air gesture. "There was a failure in NBC's delay system. The obscene gesture in the performance was completely inappropriate, very disappointing, and we apologize to our fans," read the statement. "Obscene" is a far more dangerous word than "inappropriate" given it borrows from the term the FCC employs in its monitoring of language and imagery used on broadcast TV. The incident could mean NBC is headed for the kind of controversy CBS found itself in eight years ago as a result of the infamous "wardrobe malfunction" that occurred during the halftime show, when singer Janet Jackson's nipple was exposed on the air as she performed with Justin Timberlake. Sources suggested that the NFL didn't see any sign of M.I.A. making such a gesture during rehearsals preceding the Super Bowl. Contact Andrew Wallenstein at andrew.wallenstein@variety.com

Joe Carnahan talks Dying Wish reboot

On Monday we introduced the news the Grey's Joe Carnahan is at line to reboot seminal revenge flick Dying Wish. Carnahan has confirmed this news, and it has come to Twitter to stipulate his vision for that remake."Men. I am doing Dying Wish," starts Carnahan. "But this version is really a re-imagining from the book and occur current day La. The L.A. of Collateral... it's on buses, cabs, metro trains. I wish to show an unseen version of L.A. L.A. by walking. Prowling. Hunting. The huge avoid of downtown...""[Nicolas Winding Refn] did an extraordinary job shooting L.A." continues the director, in mention of the Drive. "It required on the different dimension. This is the key."He does not get into anymore detail about how exactly he'll tweak the plot or figures from the Charles Bronson starring original, but from that little synopsis, it may sound as if Carnahan intends to update the scuzzy despair from the original right into a more sophisticated setting.The initial movie sees Bronson play a surviving vigilante, who sets about cleaning the roads of NY after his wife is extremely killed. Not sure up to now on when Carnahan's remake is anticipated to spread out, but hopefully we ought to possess some casting whispers for you personally soon...

Crime spinoffs aren't having to pay

The crime drama, especially as made by CBS, was primetime television's most bankable drama format for around ten years -- but that appears to become altering. Sure, skeins like "NCIS" and "Criminal Minds" still succeed for that Eye, however the internet has not seen quite exactly the same success yesteryear 2 yrs with "Blue Bloods" or "Person of great interest,Inch crime implies that required the genre in slightly different directions. Elsewhere, NBC's copshow "Prime Suspect" was declined from the beginning within the fall, and ABC's "Body of Proof" remains a modest artist in the second season. But possibly the very best indicator of the trend is the fact that during the last 12 several weeks, spinoffs of three venerable crime shows -- "Law and Order," "Bones" and "Criminal Minds" -- have unsuccessful to click with auds. Sure, "Bones" offshoot "The Finder" just bowed recently, however the early returns weren't encouraging. Fox used "Bones" to funnel audiences into "The Finder" if this opened on Jan. 12, however the newbie settled for any 1.7 rating (in comparison having a 2.4 because of its lead-in). As well as in its second week, despite a large lead-in from "The American Idol ShowInch (5.7 rating), "Finder" increased to simply a couple.2 -- still 4th in the Thursday timeslot. NBC attempted to breathe existence in to the diminishing "Law and Order" franchise with "Law and Order: L.A.," however the show's reboot last April opened up having a thud (1.5) and it is run ingloriously ended with burnoff episodes in This summer. It had been the 3rd "L&O" spinoff within the U.S., only "SVU" remains around the air ("U.K." continues in Blighty). And also at CBS, "Criminal Minds: Suspect Behavior," fronted by Forest Whitaker, delivered dramatically from the ancestor, which preceded it on Wednesdays. Auds updated set for the premiere (3.3 rating), however the show dropped to some 2.4 the next week and was hanging around a couple if this wrapped its 13-episode run. It had not been surprising to determine the nets order more spinoffs within the wake of CBS' success with "NCIS" and "NCIS: La,Inch using the latter going strong in the third year. But that certain might be the final we'll see work for some time. Contact Ron Kissell at ron.kissell@variety.com

L.A.-Italia fest fetes 'Hugo' art company directors

ROME -- The seventh La-Italia Film Fashion and Art Festival will celebrate Italo production design and hang decoration duo Dante Ferretti and Francesca Lo Schiavo, Oscar-nommed for art direction on Martin Scorsese's "Hugo."The husband-and-wife team will get an Excellence Award throughout the Italo showcase, which runs February. 19-25 at Mann's Chinese Theater in Hollywood.Fest will even pay tribute to late Spaghetti Western maestro Sergio Corbucci, whose 1966 cult classic "Django," inspired Quentin Tarantino's "Django Unchained," that is due for release 12 ,. 25Event, chaired this season by helmer Pupi Avati, will even feature first-and-second works from youthful Italian filmmakers.Headed by Pascal Vicedomini, a journo with pubcaster RAI, La-Italia is really a sister event to 2 Italian fests, Capri-Hollywood and Ischia Global, both devoted to creating an innovative and business bridgehead between Hollywood and Italy's film and showbiz towns. Contact Nick Vivarelli at nvivarelli@gmail.com

Sean Penn Shares Films Imagine Ducking Fame

First Launched: The month of the month of january 22, 2012 9:32 PM EST Credit: Getty Images PARK CITY, Utah -- Caption Sean Penn attends the Tribeca Film Festival after-party for Love-hate Love in NY City, on April 26, 2011 Sean Penns new movie casts him just like a former rock star who turns his back on fame and switches into exile overseas. Penn can relate. He mentioned inside an interview Sunday he'd the concept frequently about ducking in the limelight. He stars within this ought to be the region, that have its U.S. premiere within the Sundance Film Festival. Penn first found Utah about 27 in the past while using Falcon as well as the Snowman. The film, directed by Paolo Sorrentino, stars Penn as Cheyenne, a raven-maned, mascara-caked former pop icon whose look was inspired by Robert Cruz in the Cure. The childlike Cheyenne leaves the glamor of his old existence now lives quietly in Ireland along with his firemen wife, carried out by Frances McDormand. After his fathers dying, lost soul Cheyenne embarks around the journey over the united states . States to locate a classic Nazi who brutalized his father in the concentration camping. Penn mentioned he empathizes with Cheyennes decision to escape the spotlight. Turning ones back on fame might be the finest kind of sense. The one that I'd need to be full of, Penn mentioned. I dont think its an overstatement to convey that it's an obscene disease of celebrity thats absorbed far lots of existence that individuals do live. In my opinion its a disease. I still find it reduced the conventional of existence. Not particularly for individuals who're the primary focus from this, though that's clearly a thing that Ive been compromised by. Along with the culture particularly, there's this kind of herd commitment. In my opinion its just become cheap. This Ought To Be the region owes its start to the Cannes Film Festival, where Penn headed the jury that granted honours in 2008. Penns panel presented Sorrentinos political drama Il Divo while using festivals third-place jury prize. The actor as well as the director found themselves standing beside each other for just about any group photo within the Cannes closing ceremony. Simply because they spoken, Penn told Sorrentino he desire to use him, together with annually roughly later, the filmmaker sent the script with this ought to be the region. The film opened up at Mays Cannes festival and opens in U.S. theaters in March. Penn is likely to direct his fifth film, The Comedian with Robert P Niro and Kristen Wiig. Much like he's considered retreating from fame, Penn mentioned he wish to be capable of quit acting and merely direct films. This is not inside the cards given his financial needs, including his J/P Haitian Relief Organization, which boosts money to assist people displaced with the 2010 earthquake. Especially if youre connected having a business like mine in Haiti, there is a factor referred to as drained of funds and needing to function, Penn mentioned. I can create a better living becoming an actor than I am in a position to just like a director. Though I certainly prefer to be pointing movies. ___ Online: http://internet.sundance.org Copyright 2012 with the Connected Press. All rights reserved. These elements may not be launched, broadcast, rewritten or redistributed.

Ough Gervais: Countdown Of His Best Golden Globes Jokes

Let's not pretend that Rickey Gervais was his old, flame-throwing self on Sunday evening within the 2012 Golden Globes. He left his scorching commentary, vicious jokes and demon-may-care hilariousness this season, and rather shipped a fascinating performance that left most lower unruffled, all egos in tact, and many audiences disappointed. Yet Gervais around the so-so evening still produces an entertaining experience. He referred to as Colin Firth, possibly the very best guy in the world, a racist puppy puncher. He in contrast the Globes to Kim Kardashian: noisy, trashy, drunk and just bought. He requested Justin Bieber's manhood. Good occasions, all. At MTV Movies, Ryan J. Downey counted lower the host's finest moments in the evening. Take a look at his full report on Rickey Gervais' best Golden Globes jokes now! And search for the 2012 Golden Globes individuals who win!

Daniel Radcliffe Goes Rogue In 'American Talk: Ghost Protocol'

We could be ahead of time together with you at this time around: the main reason you have to watch the newest After Several hours, "American Talk: Ghost Protocol," is really because you are capable of seeing Daniel Radcliffe punch MTV News' Josh Horowitz as hard while he can. Though Radcliffe has managed to get several incarnations in the show formerly, we felt he needed another challenge to prove the "Harry Potter" star is certifiably American. So strap inside your Captain America mask and pull your American flag snuggie closer surrounding you, because this time around around, things get serious. We'll forgive Radcliffe for trying to assert that James K. Polk can be a better American leader than Bill Pullman in "Independence Day" too for unsure the lyrics for Katy Perry's "Teenage Dream" from the top his mind because no less than he could title all obligations of America's "essential" film series, "The Twilight Saga." Plus, after we formerly stated, he did pull a "Fight Club" striking Horowitz as hard while he could. Little did everyone knows that Radcliffe had this kind of mean right hook! Whoever else consider this latest version of After Several hours? Reveal inside the comments section below or on Twitter!

California Pictures backs 'Storm'

Pierce California Pictures has come onboard to produce and package "After the Storm," a drama from writer-director Cole Wiley that has Wendell Pierce ("The Wire") attached to star.The story of a fateful journey of survival follows a young boy who must overcome the loss of his home and family to the destructive wrath of Hurricane Katrina.Pierce will play the boyfriend of the child's mother who, many years later, loans her the money she needs to move her family back to the Ninth Ward, which is again threatened by a massive storm.Jason Leibovitch and Steven Istock will produce for California Pictures, while Wiley will produce through his Hey Good Images banner along with Mollye Asher and Christian McGuigan. Production is expected to start this summer in New Orleans.Wiley's script won the 2011 Urbanworld Screenplay Competition sponsored by BET and HBO, and also won the 2011 Spike Lee Production Fund Award. Although Lee is not an official producer, he has championed the project and been instrumental in pushing it forward.Wiley graduated from Harvard Law School but decided against being a lawyer and instead enrolled in NYU's film program, of which Lee is an alumnus. "After the Storm" is Wiley's thesis project.California Pictures recently produced the indie drama "A Warrior's Heart," which stars "Twilight" thesps Ashley Greene and Kellan Lutz. Company's next release is the sci-fier "Scavengers," starring Sean Patrick Flanery and Jeremy London. Contact Jeff Sneider at jeff.sneider@variety.com

Report: Sienna Miller Is Pregnant

First Published: January 6, 2012 11:44 AM EST Credit: Getty Premium Caption Tom Sturridge and Sienna Miller are seen walking their dog in Notting Hill in London on September 17, 2011LOS ANGELES, Calif. -- Sienna Miller is reportedly expecting her first child. According to Us Weekly, the 30-year-old actress and boyfriend Tom Sturridge, 26, are having a baby. According to a mag source, the couple doesnt have plans right away to marry, if at all. Friends are really happy with her relationship with Tom, the source continued. Hes younger, yes, but hes mature and hes a good guy. Loved ones of the couple were not surprised by the news of the pregnancy, the source said. They just spent the holidays in Paris together after they announced the news in London. In February 2011, Sienna ended her relationship with Jude Law for a second time. The former couple began dating in 2004 and first split in 2006. A reps for Sienna was not immediately available for comment when contacted by Access Hollywood on Friday morning. A rep for Tom told Access, We do not comment on our clients personal lives. Copyright 2012 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

The Hollywood Reporter Actor Roundtable

Reinvention is a hallmark of great actors, so it's fitting that several of the talents invited to participate in "The Hollywood Reporter's" annual Actor Roundtable have distinguished themselves in 2011 by playing against type. Famed comic Albert Brooks embodies a ruthless criminal in "Drive" regal screen presence Christopher Plummer lets loose as a flamboyant gay man exploring his sexuality at age 75 in "Beginners" and Christoph Waltz, so effective as a Nazi commander in Quentin Tarantino's 2009 hit "Inglourious Basterds," plays a suburban American father in "Carnage." They joined George Clooney ("The Descendants," "The Ides of March"), Nick Nolte ("Warrior"), and Gary Oldman ("Tinker Tailor Soldier Spy") at Smashbox Studios in West Hollywood on Oct. 24 for an hourlong discussion that touched on Nolte's personal struggles, what Oldman said when asked to play Charles Manson, and why Clooney prefers acting to selling women's shoes.The Hollywood Reporter: Do you have a pet peeve about scripts that will make you stop reading immediately? Nick Nolte: By page two, you know.George Clooney: Pretty much by page four or five, it's got to get you.Albert Brooks: The first speech that's over two sentences, where you actually have to see writing, if those start to sound false, then it's over.Christopher Plummer: Do you have a habit of going right through to the end to make sure you're in the last scene?Clooney: You're just looking for the sequel. [Laughter.]Brooks: The computer tells you everything now. What part are you playing? Larry. The computer says you're on six pages. Well, Jesus, I'll just read Larry.THR: Is there any role you would not play? Clooney: Larry. [Laughter.]Gary Oldman: Ten or 15 years ago, someone approached me to play Charles Manson. I just felt, out of respect to the family, I'm not interested.Nolte: There's too much karma around that. It's way too heavy. You know, I used to cut off the top of my trucks, and that's the same thing [Manson] did. So the police used to stop me a lot. They called him Chuck.Clooney: Chuck, to his friends.Nolte: Then they'd stop me and say, "Are you related to Chuck?" I always pled the Fifth.Brooks: Nick, you got stopped for a lot of things. I never knew about that.Nolte: Yeah. I didn't tell you everything, Albert.THR: Is there a role you've played where the character has really stayed with you? Christopher, you've played King Lear. Plummer: Yes, that haunts you.Clooney: Literally.Plummer: The first part's all right. But the second act, once he's on the heath, forget it. Then it becomes an entirely other play. It's a play about Gloucester and Edmund, and you're sitting in your dressing room getting stoned, waiting to come on again. Then you come on, finally. The audience says, "Hey, that looks like King Lear. Forgotten all about him." It's not the magisterial play they all say it isnot the second act,anyway.THR: What's the toughest role you've played? Plummer: The part in "The Sound of Music." It was so awful and sentimental and gooey. I had to work terribly hard to try to infuse some minuscule bit of humor into it. Brooks: You mean you didn't believe everything you said?Plummer: Oh, shut up.Nolte: Albert's actually got some experience in that territory.Brooks: What? Escaping from Nazis? THR: Was shifting from the stage to film difficult? Plummer: Not really. As a young actor on the screen, I was very bad. One is always thinking of how you look when you're young. You're always conscious of the profile; you're so conceited. I thought that was all that movies were about. It wasn't until I hit the drunk stage of my life, in my 40s, that I suddenly had fun on film playing character roles.Brooks: Drinking is the key?Plummer: Yeah. John Huston's [1975 film] "The Man Who Would Be King." I thought that was terrific. Clooney: Drunk through the whole thing, were you?Plummer: Poor John Huston. He had emphysema very badly by that time. But he was such a marvelous character. He had an oxygen tent on the set, but he always had his cigar with him.Clooney: That always works well.THR: George, is acting fun, or is it hard work? Clooney: I cut tobacco for a living in Kentuckythat was hard work. I sold insurance door to doorthat's hard work. Acting is not hard work. If you're lucky enough to be sitting at a table like this, you've been very lucky in your life. You caught the brass ring somewhere along the way. I've known a tremendous number of talented actors who didn't get opportunities. Is it hard work? It's long hours, but nobody wants to hear you complain. I remember I was selling women's shoes at a department store, which is a lousy job. It sounds like it'd be great, but it wasn't elegant shoes. It was 80-year-old women [saying], "That's a hammertoe!" You're like, "I don't want to see that!" I remember I would hear of famous stars complaining in Hollywood about how hard their life wasI didn't want to hear that. So I don't find it difficult. I find it challenging, and sometimes I'm very bad at it, but I don't find it hard.THR: Do you think you were bad and have become better? Clooney: I think scripts make people better. Direction makes people better. You can find a lot of projects where actors were tremendously good in one project, but you'll see them not work necessarily well in others. I think scripts make a huge difference in that department.THR: Did you always know you wanted to act? Clooney: I figured it out right after I finished cutting tobacco. My uncle was an actor named Jose Ferrer. He came to Kentucky to do a movie when I was 20 with his son Miguel Ferrer, also a wonderful actor. I was an extra for about two months on the setthey got me a gig. Then Jose said, "You ought to go to Hollywood and be an actor."THR: Nick, you did big Hollywood films, then walked away. Why? Nolte: Well, it was obvious I wasn't going to get any more roles. I could see it coming. The scripts weren't getting any better. In fact, the bigger the budget, the worse the scriptit seemed to follow hand in hand. The better work was in the independents, while the independent studios were still operating. When I was working with Paul Schrader, we were in the bar across the street from where we were shooting. We were having a glass of wine, and Schrader said, "Boy, I want to do one of those $100 million films." I said: "Paul, you're just full of it! You'll never have more control than you have right here. Yet you want to get on one of those nightmarish $100 million collaborative efforts?"THR: Was there a film you did where you thought: "This is it. I want to change"? Nolte: I actually didn't want to do "48 Hrs." [Someone] kept saying the black kid [Eddie Murphy] wasn't funny. To this day, [Jeffrey] Katzenberg is afraid I'll blurt out who it was. I won't. I wouldn't get my Christmas bonus.THR: What has been the low moment in your career or life? Nolte: That's kind of daily.THR: Really? Why? Nolte: I don't know. I live with death lately because I'm 70. After 70, you don't think about sex much anymore. You think about death.Plummer: Wait until you're 80. [Laughter.]Nolte: Don't go into it.Plummer: I won't.THR: Does getting older change your perspective on the roles you choose or the work you do? Plummer: No. I'm working more than I've ever worked in my life. It's unbelievable. Either there's only me left in their 80sbut I think there are other people who must be 80 who act. I'm having an absolute ball. I've never been happier.THR: Christoph, you've found global success relatively late in your career. Were things hard for you before that? Christoph Waltz: Relatively? [Laughter.] In all cultures, the actor has ups and downs. That's the nature of the beast. So I've had ups and downs on a smaller level. In the German-speaking arena, you can be a member of a theater company and do that forever. My grandparents did it in one theater for their whole careers. But a certain degree of consistency brings a certain degree of mediocrity.THR: When you participated in this roundtable two years ago for "Inglourious Basterds," you said you were looking forward to the opportunities arising from the success of that film. Have you been satisfied by those opportunities? Waltz: It made life certainly more exciting, and certain parts more enjoyable and more interesting. But that's where success late in a career comes in veryhandy.Clooney: For me, it was relatively late. I'd been on so many failed television series for such a long time. By comparison, my aunt was a really talented singer, Rosemary Clooney. In 1950, she was on the cover of every magazine. She was a big hit. Then rock 'n' roll came in, and women singers were all gone. It became a male-dominated thing. She was on the road, and people started saying, "What happened to you? Where'd you go?" She's like, "I'm here. I'm singing. I'm doing my thing. What the f--k are you talking about?" She was gone for 20 years. Because she was so youngshe was 19 when [success] first happenedshe sort of believed all that shit that you believe when you are 19. People tell you how brilliant you are, all those things. So that meant now she clearly wasn't. Of course, she didn't become less of a singer along the way. The elements changed.Nolte: I never thought she went away.Clooney: She did. But later on, she came back. She had an unbelievably great renaissance.Nolte: She was one of my favorites. Clooney: She was one of the greats. But she was gone for 20 years. She couldn't get a job. Bing Crosby gave her a job 20 years later. She had some drug issues, prescription-drug things.THR: Are you afraid of failure? Clooney: All of us are afraid of failure.Nolte: I don't think the downside is about failure. The downside is about not working. I do one European film a year. I just did one in Spain, but I was the only person who spoke English. The rest could only speak Spanish. I can't remember who was in it, but you would recognize the people. It was a great experience. Now if I had stayed home with no work, then I would have been in the shitter.Brooks: But the truth is, and without turning this into a men's group Plummer: Tell us [your secret]. You can feel comfortable.Brooks: It was only once, and I was drunk! I was doing King Lear. [Laughter.]Clooney: You had too much time off!Brooks: You are who you are, no matter what happens to you. My father was a famous radio comedian [Harry "Parkyakarkus" Einstein]. He was very ill, and he died when I was young, I think before I really comprehended anything, I saw that this [fame] stuff had no meaning. He was paralyzed. He didn't care about people going, "Oh, I love your radio show." He could barely get out of a chair. People think that success changes you, but your demons are your demons. They're only magnified.THR: Has any great role model influenced you? Brooks: Jack Benny did something when I was very young that showed me more about how to live a life in this business. I was on "The Tonight Show" early in my career. When they went away for the last break, Jack Benny leaned over to Johnny Carson and said, "When we come back, ask me where I'm going to be performing, will you?" Johnny said, "Sure." So they came back, and they were saying good night, and Johnny said to Jack, "Jack, where are you going to be performing?" Jack said: "Never mind about me. That's the funniest kid I've ever seen." He set that up to make a compliment. I was like: "Oh, so you can be brilliant and gracious. They gotogether."Oldman: My mother is a hero. She's 92 and still gets around. She lives here; I moved her out. Still takes the bus.Brooks: Get her a car, man. [Laughter.]Oldman: I've never heard my mother say, "Poor me." She used to do big tapestries and then met my father when he was in the Royal Navy and became a housewife. Then when I was about 6 or 7, he ran off with his best friend's wife. It happens. I have older sisters who had flown the coop. I was essentially an only child. She's a great inspiration.Nolte: You're very lucky to have a mom of 92. I lost mine at 86. That was the last parent. When the last parent dies you call your sister or brother and say, "How old are you?" Whichever one's the oldest, that's the next to go. My sister's two years older than me, but it's not going to work out that way, I don't think.Brooks: You're getting the most calls?Nolte: Yeah.THR: What's the best or worst career advice somebody has given you? Nolte: The best advice is to do theater.Clooney: Sometimes when you work with younger actors who haven't done theaterbecause most of them haven't now; they've gotten famous quicklywhen you're directing them, they will try to "win" every scene. But you have to lose some scenes because you're going to win in the end. If you had done theater, you would go, "No, I'm not going to cry in these next two scenes because I'm going to really lay it on at the end and have earned it."THR: Has directing changed your acting? Brooks: I started as an actor before I became a director. I went to Carnegie Tech, which was a theater school. You were taking mime with this man Jewel Walker and dance with Paul Draper. You did everything.Clooney: You took mime?Brooks: Shh! Anything you do helps you as an actor. A trip you take to Spain will help you as an actor. As a director, I work with actors from an actor's point of view. I think there are some directors who like the picture more than the person.Clooney: You are more direct. You simplify a lot of things. There's this weird dance that directors and actors have to play. The director is basically trying to manipulate the actor into doing what hewants Oldman: Yes, but the actor likes to think that it was his idea!Clooney: Right. So the actor is trying to manipulate the director into doing what he always thought. There's this weird dance .Waltz: I read this really interesting article written by a cognitive behavioral psychologist, Daniel Kahneman. The "illusion of validity," he calls it. Everybody is so convinced about the validity of their actions, their opinion, and so confident about their decisions. It's complete illusion. It's really a confidence of communicating your point rather than being right or wrong.THR: Do you like your work when you see it? Waltz: I don't see it. Not regularly.Clooney: Do you go back and see old things you've done?Waltz: No. Never.Oldman: I think it's healthy sometimes. It's just, it's old work. Some of it's good, some of it stinks, and what does tomorrow bring?THR: What makes a great actor? Plummer: The great rage. Someone who can lose their temper suddenly, very quickly, and frighten the shit not just out of the person he's playing with but the audience as well. That's the rage. Mr.Oldman has that. Then, the ability to make classic roles seem so modern and fresh.Oldman: He does that. [Points at Clooney.]THR: Gary, do you agree you have the great rage? Oldman: I think a few ex-wives would agree.Brooks: Fifteen minutes before we started, he was yelling at the hairdresser. [Laughter.]Clooney: There's an element of that even in comedy. You'll see that kind of rage. It doesn't have to be angry. Watch Joel McCrea in [Preston Sturges' 1941 film] "Sullivan's Travels," and there is this sort of throbbing undercurrent that's always going around.Oldman: Albert has that, too. I've certainly seen it in Mr. Nolte.Brooks: I think it's an additional thing also, especially in movies. The actors who have always been the most affecting to me are the ones that allow me to interpret on my own. There are some actors that give you 100 percent, but they don't let you get in. They're working; you see them working. There are other actors that are instinctively laid-back. It's really like a painting. I mean, why should any work from a modern artist sell for millions of dollars? It's only because people are standing there and they're thinking what this means to them. The same thing happens with a good actor.Clooney: Good singers will do that. I used to say to Rosemary: "You're 70 years old and can't hit any of the notes you used to hit. Why are you a better singer?" She goes: "I don't have to prove I can sing anymore. I just serve the material."THR: Do you have any regrets? Plummer: There are a couple of parts I think I'd like to have played that I didn't get. I made a little success in London in "Becket," the play about [Thomas] Becket and King Henry II. I was furious when Peter O'Toole, my friend, got [the lead role in the movie, 1964's "Becket"]. Son of a bitch.THR: Have you ever thought of doing something other than acting or directing? Brooks: I wanted to be an eye doctor for a few years.Plummer: I started studying the classics as a pianist.Brooks: Do you still play?Plummer: When drunk, yes.Clooney: I'm going to his house.Brooks: Can I go home with you? You have more fun than me.Plummer: I'll think about it and let you know.Nolte: A lot of what we discussed is the decision of whether to live in real life or not. I certainly prefer not to be in real life. It's horrifying. The Cold War and the bunkers and all that shit that was laid on us as kids, it's just not any place I wanted to be. So I felt at home when I hit the stage. I prefer it to the horror of real life.Brooks: Nick, that's a good title for your autobiography.Nolte: What, "Whore of Real Life"? I think it was my fifth wife.Clooney: No, no"Horror."Nolte: Oh, the horror! The Performances Albert Brooks, "Drive"Brooks takes a 180 from his comedic persona to play a brutal crime boss opposite Ryan Gosling in the violent thriller.George Clooney, "The Descendants" and "The Ides of March"Clooney directs himself as an ambitious presidential candidate in "Ides" and stars as a lawyer forced to deal with his comatose wife in "The Descendants."Nick Nolte, "Warrior"After a career spanning five decades, the gravel-voiced Nolte co-stars in the mixed martial arts drama as an alcoholic father seeking redemption from his two sons.Gary Oldman, "Tinker Tailor Soldier Spy"Oldman, who came to prominence in 1986's "Sid and Nancy," leads an ensemble cast as a veteran spy in the adaptation of the John le Carr novel.Christopher Plummer, "Beginners" and "The Girl With the Dragon Tattoo"Plummer steals scenes as a terminally ill man exploring his homosexuality in director Mike Mills' drama "Beginners" and appears in David Fincher's adaptation of the Stieg Larsson novel.Christoph Waltz, "Carnage"The Austrian uses a convincing American accent in Roman Polanski's adaptation of the play "God of Carnage." It's a far cry from his role as a Nazi commander in "Inglourious Basterds." PHOTO CREDIT Frank W. Ockenfels 3 Reinvention is a hallmark of great actors, so it's fitting that several of the talents invited to participate in "The Hollywood Reporter's" annual Actor Roundtable have distinguished themselves in 2011 by playing against type. Famed comic Albert Brooks embodies a ruthless criminal in "Drive" regal screen presence Christopher Plummer lets loose as a flamboyant gay man exploring his sexuality at age 75 in "Beginners" and Christoph Waltz, so effective as a Nazi commander in Quentin Tarantino's 2009 hit "Inglourious Basterds," plays a suburban American father in "Carnage." They joined George Clooney ("The Descendants," "The Ides of March"), Nick Nolte ("Warrior"), and Gary Oldman ("Tinker Tailor Soldier Spy") at Smashbox Studios in West Hollywood on Oct. 24 for an hourlong discussion that touched on Nolte's personal struggles, what Oldman said when asked to play Charles Manson, and why Clooney prefers acting to selling women's shoes.The Hollywood Reporter: Do you have a pet peeve about scripts that will make you stop reading immediately? Nick Nolte: By page two, you know.George Clooney: Pretty much by page four or five, it's got to get you.Albert Brooks: The first speech that's over two sentences, where you actually have to see writing, if those start to sound false, then it's over.Christopher Plummer: Do you have a habit of going right through to the end to make sure you're in the last scene?Clooney: You're just looking for the sequel. [Laughter.]Brooks: The computer tells you everything now. What part are you playing? Larry. The computer says you're on six pages. Well, Jesus, I'll just read Larry.THR: Is there any role you would not play? Clooney: Larry. [Laughter.]Gary Oldman: Ten or 15 years ago, someone approached me to play Charles Manson. I just felt, out of respect to the family, I'm not interested.Nolte: There's too much karma around that. It's way too heavy. You know, I used to cut off the top of my trucks, and that's the same thing [Manson] did. So the police used to stop me a lot. They called him Chuck.Clooney: Chuck, to his friends.Nolte: Then they'd stop me and say, "Are you related to Chuck?" I always pled the Fifth.Brooks: Nick, you got stopped for a lot of things. I never knew about that.Nolte: Yeah. I didn't tell you everything, Albert.THR: Is there a role you've played where the character has really stayed with you? Christopher, you've played King Lear. Plummer: Yes, that haunts you.Clooney: Literally.Plummer: The first part's all right. But the second act, once he's on the heath, forget it. Then it becomes an entirely other play. It's a play about Gloucester and Edmund, and you're sitting in your dressing room getting stoned, waiting to come on again. Then you come on, finally. The audience says, "Hey, that looks like King Lear. Forgotten all about him." It's not the magisterial play they all say it isnot the second act,anyway.THR: What's the toughest role you've played? Plummer: The part in "The Sound of Music." It was so awful and sentimental and gooey. I had to work terribly hard to try to infuse some minuscule bit of humor into it. Brooks: You mean you didn't believe everything you said?Plummer: Oh, shut up.Nolte: Albert's actually got some experience in that territory.Brooks: What? Escaping from Nazis? THR: Was shifting from the stage to film difficult? Plummer: Not really. As a young actor on the screen, I was very bad. One is always thinking of how you look when you're young. You're always conscious of the profile; you're so conceited. I thought that was all that movies were about. It wasn't until I hit the drunk stage of my life, in my 40s, that I suddenly had fun on film playing character roles.Brooks: Drinking is the key?Plummer: Yeah. John Huston's [1975 film] "The Man Who Would Be King." I thought that was terrific. Clooney: Drunk through the whole thing, were you?Plummer: Poor John Huston. He had emphysema very badly by that time. But he was such a marvelous character. He had an oxygen tent on the set, but he always had his cigar with him.Clooney: That always works well.THR: George, is acting fun, or is it hard work? Clooney: I cut tobacco for a living in Kentuckythat was hard work. I sold insurance door to doorthat's hard work. Acting is not hard work. If you're lucky enough to be sitting at a table like this, you've been very lucky in your life. You caught the brass ring somewhere along the way. I've known a tremendous number of talented actors who didn't get opportunities. Is it hard work? It's long hours, but nobody wants to hear you complain. I remember I was selling women's shoes at a department store, which is a lousy job. It sounds like it'd be great, but it wasn't elegant shoes. It was 80-year-old women [saying], "That's a hammertoe!" You're like, "I don't want to see that!" I remember I would hear of famous stars complaining in Hollywood about how hard their life wasI didn't want to hear that. So I don't find it difficult. I find it challenging, and sometimes I'm very bad at it, but I don't find it hard.THR: Do you think you were bad and have become better? Clooney: I think scripts make people better. Direction makes people better. You can find a lot of projects where actors were tremendously good in one project, but you'll see them not work necessarily well in others. I think scripts make a huge difference in that department.THR: Did you always know you wanted to act? Clooney: I figured it out right after I finished cutting tobacco. My uncle was an actor named Jose Ferrer. He came to Kentucky to do a movie when I was 20 with his son Miguel Ferrer, also a wonderful actor. I was an extra for about two months on the setthey got me a gig. Then Jose said, "You ought to go to Hollywood and be an actor."THR: Nick, you did big Hollywood films, then walked away. Why? Nolte: Well, it was obvious I wasn't going to get any more roles. I could see it coming. The scripts weren't getting any better. In fact, the bigger the budget, the worse the scriptit seemed to follow hand in hand. The better work was in the independents, while the independent studios were still operating. When I was working with Paul Schrader, we were in the bar across the street from where we were shooting. We were having a glass of wine, and Schrader said, "Boy, I want to do one of those $100 million films." I said: "Paul, you're just full of it! You'll never have more control than you have right here. Yet you want to get on one of those nightmarish $100 million collaborative efforts?"THR: Was there a film you did where you thought: "This is it. I want to change"? Nolte: I actually didn't want to do "48 Hrs." [Someone] kept saying the black kid [Eddie Murphy] wasn't funny. To this day, [Jeffrey] Katzenberg is afraid I'll blurt out who it was. I won't. I wouldn't get my Christmas bonus.THR: What has been the low moment in your career or life? Nolte: That's kind of daily.THR: Really? Why? Nolte: I don't know. I live with death lately because I'm 70. After 70, you don't think about sex much anymore. You think about death.Plummer: Wait until you're 80. [Laughter.]Nolte: Don't go into it.Plummer: I won't.THR: Does getting older change your perspective on the roles you choose or the work you do? Plummer: No. I'm working more than I've ever worked in my life. It's unbelievable. Either there's only me left in their 80sbut I think there are other people who must be 80 who act. I'm having an absolute ball. I've never been happier.THR: Christoph, you've found global success relatively late in your career. Were things hard for you before that? Christoph Waltz: Relatively? [Laughter.] In all cultures, the actor has ups and downs. That's the nature of the beast. So I've had ups and downs on a smaller level. In the German-speaking arena, you can be a member of a theater company and do that forever. My grandparents did it in one theater for their whole careers. But a certain degree of consistency brings a certain degree of mediocrity.THR: When you participated in this roundtable two years ago for "Inglourious Basterds," you said you were looking forward to the opportunities arising from the success of that film. Have you been satisfied by those opportunities? Waltz: It made life certainly more exciting, and certain parts more enjoyable and more interesting. But that's where success late in a career comes in veryhandy.Clooney: For me, it was relatively late. I'd been on so many failed television series for such a long time. By comparison, my aunt was a really talented singer, Rosemary Clooney. In 1950, she was on the cover of every magazine. She was a big hit. Then rock 'n' roll came in, and women singers were all gone. It became a male-dominated thing. She was on the road, and people started saying, "What happened to you? Where'd you go?" She's like, "I'm here. I'm singing. I'm doing my thing. What the f--k are you talking about?" She was gone for 20 years. Because she was so youngshe was 19 when [success] first happenedshe sort of believed all that shit that you believe when you are 19. People tell you how brilliant you are, all those things. So that meant now she clearly wasn't. Of course, she didn't become less of a singer along the way. The elements changed.Nolte: I never thought she went away.Clooney: She did. But later on, she came back. She had an unbelievably great renaissance.Nolte: She was one of my favorites. Clooney: She was one of the greats. But she was gone for 20 years. She couldn't get a job. Bing Crosby gave her a job 20 years later. She had some drug issues, prescription-drug things.THR: Are you afraid of failure? Clooney: All of us are afraid of failure.Nolte: I don't think the downside is about failure. The downside is about not working. I do one European film a year. I just did one in Spain, but I was the only person who spoke English. The rest could only speak Spanish. I can't remember who was in it, but you would recognize the people. It was a great experience. Now if I had stayed home with no work, then I would have been in the shitter.Brooks: But the truth is, and without turning this into a men's group Plummer: Tell us [your secret]. You can feel comfortable.Brooks: It was only once, and I was drunk! I was doing King Lear. [Laughter.]Clooney: You had too much time off!Brooks: You are who you are, no matter what happens to you. My father was a famous radio comedian [Harry "Parkyakarkus" Einstein]. He was very ill, and he died when I was young, I think before I really comprehended anything, I saw that this [fame] stuff had no meaning. He was paralyzed. He didn't care about people going, "Oh, I love your radio show." He could barely get out of a chair. People think that success changes you, but your demons are your demons. They're only magnified.THR: Has any great role model influenced you? Brooks: Jack Benny did something when I was very young that showed me more about how to live a life in this business. I was on "The Tonight Show" early in my career. When they went away for the last break, Jack Benny leaned over to Johnny Carson and said, "When we come back, ask me where I'm going to be performing, will you?" Johnny said, "Sure." So they came back, and they were saying good night, and Johnny said to Jack, "Jack, where are you going to be performing?" Jack said: "Never mind about me. That's the funniest kid I've ever seen." He set that up to make a compliment. I was like: "Oh, so you can be brilliant and gracious. They gotogether."Oldman: My mother is a hero. She's 92 and still gets around. She lives here; I moved her out. Still takes the bus.Brooks: Get her a car, man. [Laughter.]Oldman: I've never heard my mother say, "Poor me." She used to do big tapestries and then met my father when he was in the Royal Navy and became a housewife. Then when I was about 6 or 7, he ran off with his best friend's wife. It happens. I have older sisters who had flown the coop. I was essentially an only child. She's a great inspiration.Nolte: You're very lucky to have a mom of 92. I lost mine at 86. That was the last parent. When the last parent dies you call your sister or brother and say, "How old are you?" Whichever one's the oldest, that's the next to go. My sister's two years older than me, but it's not going to work out that way, I don't think.Brooks: You're getting the most calls?Nolte: Yeah.THR: What's the best or worst career advice somebody has given you? Nolte: The best advice is to do theater.Clooney: Sometimes when you work with younger actors who haven't done theaterbecause most of them haven't now; they've gotten famous quicklywhen you're directing them, they will try to "win" every scene. But you have to lose some scenes because you're going to win in the end. If you had done theater, you would go, "No, I'm not going to cry in these next two scenes because I'm going to really lay it on at the end and have earned it."THR: Has directing changed your acting? Brooks: I started as an actor before I became a director. I went to Carnegie Tech, which was a theater school. You were taking mime with this man Jewel Walker and dance with Paul Draper. You did everything.Clooney: You took mime?Brooks: Shh! Anything you do helps you as an actor. A trip you take to Spain will help you as an actor. As a director, I work with actors from an actor's point of view. I think there are some directors who like the picture more than the person.Clooney: You are more direct. You simplify a lot of things. There's this weird dance that directors and actors have to play. The director is basically trying to manipulate the actor into doing what hewants Oldman: Yes, but the actor likes to think that it was his idea!Clooney: Right. So the actor is trying to manipulate the director into doing what he always thought. There's this weird dance .Waltz: I read this really interesting article written by a cognitive behavioral psychologist, Daniel Kahneman. The "illusion of validity," he calls it. Everybody is so convinced about the validity of their actions, their opinion, and so confident about their decisions. It's complete illusion. It's really a confidence of communicating your point rather than being right or wrong.THR: Do you like your work when you see it? Waltz: I don't see it. Not regularly.Clooney: Do you go back and see old things you've done?Waltz: No. Never.Oldman: I think it's healthy sometimes. It's just, it's old work. Some of it's good, some of it stinks, and what does tomorrow bring?THR: What makes a great actor? Plummer: The great rage. Someone who can lose their temper suddenly, very quickly, and frighten the shit not just out of the person he's playing with but the audience as well. That's the rage. Mr.Oldman has that. Then, the ability to make classic roles seem so modern and fresh.Oldman: He does that. [Points at Clooney.]THR: Gary, do you agree you have the great rage? Oldman: I think a few ex-wives would agree.Brooks: Fifteen minutes before we started, he was yelling at the hairdresser. [Laughter.]Clooney: There's an element of that even in comedy. You'll see that kind of rage. It doesn't have to be angry. Watch Joel McCrea in [Preston Sturges' 1941 film] "Sullivan's Travels," and there is this sort of throbbing undercurrent that's always going around.Oldman: Albert has that, too. I've certainly seen it in Mr. Nolte.Brooks: I think it's an additional thing also, especially in movies. The actors who have always been the most affecting to me are the ones that allow me to interpret on my own. There are some actors that give you 100 percent, but they don't let you get in. They're working; you see them working. There are other actors that are instinctively laid-back. It's really like a painting. I mean, why should any work from a modern artist sell for millions of dollars? It's only because people are standing there and they're thinking what this means to them. The same thing happens with a good actor.Clooney: Good singers will do that. I used to say to Rosemary: "You're 70 years old and can't hit any of the notes you used to hit. Why are you a better singer?" She goes: "I don't have to prove I can sing anymore. I just serve the material."THR: Do you have any regrets? Plummer: There are a couple of parts I think I'd like to have played that I didn't get. I made a little success in London in "Becket," the play about [Thomas] Becket and King Henry II. I was furious when Peter O'Toole, my friend, got [the lead role in the movie, 1964's "Becket"]. Son of a bitch.THR: Have you ever thought of doing something other than acting or directing? Brooks: I wanted to be an eye doctor for a few years.Plummer: I started studying the classics as a pianist.Brooks: Do you still play?Plummer: When drunk, yes.Clooney: I'm going to his house.Brooks: Can I go home with you? You have more fun than me.Plummer: I'll think about it and let you know.Nolte: A lot of what we discussed is the decision of whether to live in real life or not. I certainly prefer not to be in real life. It's horrifying. The Cold War and the bunkers and all that shit that was laid on us as kids, it's just not any place I wanted to be. So I felt at home when I hit the stage. I prefer it to the horror of real life.Brooks: Nick, that's a good title for your autobiography.Nolte: What, "Whore of Real Life"? I think it was my fifth wife.Clooney: No, no"Horror."Nolte: Oh, the horror! The Performances Albert Brooks, "Drive"Brooks takes a 180 from his comedic persona to play a brutal crime boss opposite Ryan Gosling in the violent thriller.George Clooney, "The Descendants" and "The Ides of March"Clooney directs himself as an ambitious presidential candidate in "Ides" and stars as a lawyer forced to deal with his comatose wife in "The Descendants."Nick Nolte, "Warrior"After a career spanning five decades, the gravel-voiced Nolte co-stars in the mixed martial arts drama as an alcoholic father seeking redemption from his two sons.Gary Oldman, "Tinker Tailor Soldier Spy"Oldman, who came to prominence in 1986's "Sid and Nancy," leads an ensemble cast as a veteran spy in the adaptation of the John le Carr novel.Christopher Plummer, "Beginners" and "The Girl With the Dragon Tattoo"Plummer steals scenes as a terminally ill man exploring his homosexuality in director Mike Mills' drama "Beginners" and appears in David Fincher's adaptation of the Stieg Larsson novel.Christoph Waltz, "Carnage"The Austrian uses a convincing American accent in Roman Polanski's adaptation of the play "God of Carnage." It's a far cry from his role as a Nazi commander in "Inglourious Basterds."

Keri Russell Gives Birth To First Daughter

First Published: January 5, 2012 4:22 PM EST Credit: WireImage LOS ANGELES, Calif. -- Caption Keri Russell and Shane Dreary attend Dallas Mavericks vs NY Knicks game at Madison Square Garden, NYC, on December 10, 2007Keri Russell has given birth to her second child a baby girl. On Thursday, a rep for the former Felicity star confirmed to Access Hollyood that the actress gave birth on December 27 to a little girl Keri and husband Shane Deary have named Willa Lou. Willa is the second child for Keri and her husband, Shane. The two are parents to son River, who was born in 2007. Keri told Hoda Kotb and Kathie Lee Gifford on Today, back in November 2009, how becoming a mother made her more sensitive to children. You become a mom and you sort of think, Is it going to change everything? But it doesnt. You still like what you like, Keri previously said. But I think the one thing is it makes you very sensitive and in tune to kids. If any kid is in peril, youre like, Thats my kid! Keri and her husband married on Valentines Day 2007, in front of a small group of friends. Copyright 2012 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

ABC Orders Drama Pilot From Independence Day Director

Roland Emmerich ABC has bought a drama pilot from Independence Day and 2012 director Roland Emmerich, Variety reviews. The project, ABC's first drama pilot pick-up for your 2012-2013 TV season, occur in NY through the presidential race of 2012. Throughout this time around around, a young astrophysics student finds out his future lies not inside the section of science, but roughly paradise and hell. ABC approaching deal to obtain Kirstie Alley comedy pilot Emmerich written the script with 2012 film author Harald Kloser and may direct the pilot. He'll executive-produce with Mark Gordon (Criminal Minds) and Nicholas Pepper. Emmerich co-created rapid-were living TV alien invasion series The Client, which went for 13 episodes on Fox in 1997.